Hum tum hindi movie
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#Hum tum hindi movie crack#
Rahul's father readily accepts Raadhika as his would be daughter-in-law and gets affectionate to her since their introduction itself, making Devyaani agree for their marriage proves to be a tough nut to crack for Rahul. Where Rahul is the only son of his businessman father (Paresh Rawal), Raadhika is the responsibility of her elder sister Devyaani (Dimple Kapadia) who is a social worker as well as a women's activist. The story of Hum Tum Pe Marte Hain (I am smitten by you) is the love story of two neighbours Rahul (Govinda) and Raadhika (Urmila Matondkar). A girl or woman living in your neighbourhood is called Padosan in Hindi and this word itself is so special that it creates a stir in the romantic male hearts when falls in the ears.
#Hum tum hindi movie movie#
This movie is Hum Tum Pe Marte Hain (1999) starring Govinda and Urmila Matondkar in lead roles.
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Sooraj shifted to family dramas thereafter but a decade later, his disciple Nabh Kumar Raaju tried to follow his footsteps and came up with a love story somewhat in the style of Maine Pyar Kiya. The stuff was old but the presentation was as fresh as a gust of cool breeze in the morning hours. A weird mix of Hum Hain Raahi Pyaar Ke and Mary Poppins, Thoda Pyaar Thoda Magic was a fantasy that did not really agree with the audience of 2008.Sooraj Barjatya started a new trend in the world of Indian love stories by Maine Pyar Kiya (1989). By the time, this film rolled around, the newness of the urban love story was starting to fade but Saif and Rani still had enough charisma to pull off a story that, in hindsight, wasn’t all that impressive.īy the time they appeared together in Thoda Pyaar Thoda Magic, which was helmed by Kunal Kohli, it seemed like the magic that they once had was now gone. Of course, the names were different, and the professions were different but in terms of their visual aesthetic, it looked like these people were all from the same universe.
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Saif and Rani returned together on screen in Sidharth Anand’s Tara Rum Pum, which seemed like the story of the same two characters that we saw in Hum Tum. So much so that when Rani’s character leaves Abhishek’s character in Kabhi Alvida Naa Kehna, it was a hard pill to swallow for the audience. They could have been the ‘it’ jodi of the time but soon Bunty Aur Babli released and Rani Mukerji-Abhishek Bachchan were everything the fans were talking about. Bunty Aur Babli starred Rani Mukerji and Abhishek Bachchan. Hum Tum was also one of the first films where Saif registered a hit without any other male lead in the film. Much like SRK, Saif had the talent to be witty and play a romantic lead and Rani was the woman whose screen presence was quite reminiscent of Kajol in the 90s. And it seemed like they fit the mold perfectly. In every decade, Hindi cinema is looking to find its new perfect jodi and since SRK and Kajol had reached that status with Dilwale Dulhania Le Jayenge, the hunt for the next perfect screen pairing was on. At this point, it seemed that they could be the new SRK- Kajol. As they fought each other in ‘Ladki Kyu Na Jane Kyu’, their infectious energy gave the film an upbeat start. Saif’s ‘Tom Cruise look’ got him his first National Film Award and for Rani, who was already the reigning Bollywood queen at the time, this film gave her a chance to showcase her mature, emotional side. For Saif and Rani, their first outing together was as Karan and Rhea in Hum Tum and it turned out to be a complete game changer. It was in this phase of the early 2000s that Saif Ali Khan found a new lease of life in the film business and Rani Mukerji solidified her image as the girl-next-door. Rani Mukerji and Saif Ali Khan became the ‘it’ couple after Hum Tum. Love stories or romcoms aren’t the ‘it’ genre anymore but watching Saif and Rani in the promos of Bunty Aur Babli 2, we can’t help but look back on the days when the 21st century was taking off, and the idea of romance and relationships in Hindi movies was starting to evolve. They made movies like Salaam Namaste and Saathiya that were primarily love stories, but were presented as a new take on Bollywood rom-coms. To paint a picture, this was a time when YRF made movies like Hum Tum and Tara Rum Pum where relationships looked modern, but were backed by the traditional filmy pyaar.